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The Psychics and the Celebrities
The story of Craig & Jane Hamilton-Parker's early TV work.

Page 6

The film showed a scrap car race with some cars in flames which I described as 'I feel confined like I am in a roller coaster but there are cars and flames flying. Whatever it is I am moving very fast. It's dangerous but exciting' I did a similar and successful telepathy with an audience for another regional show called the Workhouse for Anglia TV.

Our biggest TV triumph came when London Weekend Television approached us about making a programme. The producer Peter Davy told us that they had seen my first book The Psychic Workbook (Vermilion) and felt that some of the ideas in it would make a super TV programme.

The show would pit us and other psychics, astrologers and clairvoyants against pundits like Simon Hoggart, Angus 'Statto' Loughran and the Daily Mail's own Nigel Dempster to see who would make the more accurate predictions. Our answers to a range of questions about the future would belocked in a secret vault for six months and unveiled on the show. Hosted by Phillip Schofield, this programme would be shown at peak time, after the lottery, on a Saturday evening and would reach a mass audience.

In the January they filmed us making our predictions at the exclusive Hemple Hotel that was founded by a London socialite. The exclusive Hemple Hotel is a favourite haunt of many big stars and is often visited by Michael Jackson. It's a weird place and in my opinion very pretentious.

Outside it just looks like an ordinary small terraced house. There's no signs or anything to indicate that it's a hotel. Instead men (or should I say male icons) dressed entirely black look out for expected guests arriving in their limousines. As you come the front door you are immediately faced with a plain white wall which you move behind to enter the gigantic reception area. This is a huge white room with no furniture or windows. The floors are made entirely from white marble and through the centre of the room runs a long trench of white coals from which rise gentle flames. At the far end is a big white marble slab behind which sits a black clad receptionist. She was completely dwarfed against the whiteness of everything around her. A thought flashed through my head "Did I pack the embalming fluid?" It would be quite easy to mistake this hotel for a mausoleum.

Of course the hotel is based upon abstract art and in particular the ideas enthroned in Minimalism the movement that gave us such great works as piles of bricks or blank canvases. In my opinion this was art with a capital F. We'd have been much more pleased if LWT had spent the money on something useful- such as our fee.

 

 

Six months later in June the vaults were unlocked and the predictions we filmed at the hotel were compared to what had happened in reality. By the time it came to the show at the studio and Phillip Schoefield walked onto the set to reveal our results we had forgotten what things we had said to camera six months ago. I know my heart was pounding and so must have Jane's as they replayed the film we had made six months earlier. Would the journalists shame us? We'd got a few very minor things wrong but overall we scored a resounding success with many direct hits. The astrologers and other psychics who took part also did very well but Nigel Dempster and his team of pundits were right with many of the general trends but way out when it came to the specifics.

Jane's hits for 97 included: Michael Jackson will have a baby son, Mary Allwood pregnant, Liam Gallegher to marry Patsie Kensit, David Janson to win a Bafta Award, Victoria from the Spice girls will get married. And some of mine included: Pamela Anderson treated by psychologists for depression, England to win 2-0 to Georgia a car hit by a small meteorite. We also filmed many other predictions which came true but edited out because of time including floods in Bangladesh, palace grounds breached, Serbian leadership falls and riots in Hong Kong- all of which came to pass.

Unfortunately television is looking for entertainment so the real message that we are trying to convey gets lost amongst the glitter and glamour of showbiz. Our mentor, Doris Stokes knew this and made sure people understood the difference between a psychic and a mediumistic powers. She made it plain that she couldn't tell the future. She could of course but by saying this it made the produces and public focus on the real message of her work which is that the human personality survives death. Predicting the football results and whatever could be left to the astrologers and card readers. She was absolutely right and I have learnt how television can turn profound philosophy into cheap titillating entertainment.

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